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Molly Lester

Margaret (Molly) Lester is the Associate Director of the Urban Heritage Project, based in the Weitzman School of Design’s Graduate Program for Historic Preservation and PennPraxis. In that role, she is the project manager for cultural landscape research, survey/documentation, and community engagement projects conducted with the National Park Service and other partners. In addition to her role with the Urban Heritage Project, Molly has been researching architect Minerva Parker Nichols for over a decade. As part of that project, she is a guest curator for the exhibit “Minerva Parker Nichols: The Search for a Forgotten Architect,” produced by the Architectural Archives of the University of Pennsylvania and funded by the Pew Center for Arts and Heritage. She was also a 2019/2020 Fellow for the James Marston Fitch Foundation for her research on Minerva, and a 2020/2021 grantee of the Sachs Program for Arts Innovation for her ongoing “Building Ghosts” project.

Molly joined PennPraxis in 2017 after three years of working as a freelance architectural historian and preservation planner. Previously, she worked as a program director for Partners for Sacred Places, overseeing a national consulting and grantmaking program for historic congregations. She has also worked as an architectural historian and historic tax credit consultant for Heritage Consulting Group, advising on the rehabilitation of historic properties around the country.

Molly is a contributor to the Hidden City Daily in Philadelphia, a former co-chair of the Young Friends of the Preservation Alliance, and the founder of the InKind Baking Project. She holds a Master of Science in Historic Preservation from the University of Pennsylvania and a Bachelor of Architectural History from the University of Virginia.

Events with Molly Lester

Preserving Minerva: (Re)Discovering the Work of Architect Minerva Parker Nichols
July 13, 2024

The architect of Cranaleith’s main house, Minerva Parker Nichols (1862–1949), was the first woman in the United States to practice architecture independently. In nearly seven decades of work, she earned hundreds of mentions in newspapers around the world and dozens of commissions nationwide. Yet, only a handful of her drawings survives, and she…